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Music, theatre, interviews

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Top reviews

DEATH CAB FOR CUTIE

Under purple floodlights the group appears and, without pause to take in the sold-out venue, the first warbly synth notes resound, drums kick in and Ben Gibbard’s voice slices through the sonic haze, “I dreamt we spoke, I dreamt we spoke again”.

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THE GOOD, THE BAD, AND THE QUEEN

We're here for The Good, the Bad, and the Queen – Damon Albarn’s supergroup, reunited after an 11-year hiatus to deliver an epochal album on contemporary Britain.

PETER DOHERTY AND CARL BARAT

When the curtain falls, there’s a distinct sense that one dreamt the whole evening. In a way, it was a dream – one formed collectively over years and bound together by drink, drugs and – above all – love. For a pair that has burned the candle at both ends for so long, tonight their light shines as brightly as ever.

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JANE CLEGG AT FINBOROUGH THEATRE

In Jane Clegg, Ervine sought to dispel the “half-witted heroine” in favour of a theatre of realism and social progress. Over a hundred years on, Jane Clegg is still as real as it gets.

SPIRIT AT THE PUPPET THEATRE BARGE

What does it mean to be spiritual? To be imbued with, formed from, some intangible essence. Do all creatures have a spirit – and, as some cultures believe, is this also true of the trees, the fruits, the rocks and the sea?

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FEED AT VAULT FESTIVAL

Occasionally, a play emerges that holds a mirror up to society and forces its audience to reflect on what it sees. Feed is this rarity, and the mirror is thickly silvered.

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©2025 by Daniel McLeod.

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